It was a typescript of the (originally) unpublished portions of Wilde’s passive-aggressive prison masterpiece De Profundis.
It was prepared by Wilde’s literary executor, Robert Ross, for use in the 1913 trial when Lord Alfred Douglas (Oscar’s lover Bosie) sued a young Arthur Ransome for having the temerity to imply that a person he didn’t name just might have had a hand in Wilde’s downfall.
Not My Type
I politely declined to purchase the typescript, thinking it belonged much more appropriately within the hands (and budgetary means) of a public institution where visitors could see it.
Now, thanks to the power of the digital medium, everybody can see it.
The 2018 Sundance Film Festival gets underway today, January 18th, and making its world premiere is The Happy Prince written and directed byRupert Everett.
It is the story of the last days of Oscar Wilde—and the ghosts haunting them brought to vivid life. His body ailing, Wilde lives in exile, surviving on the flamboyant irony and brilliant wit that defined him as the transience of lust is laid bare and the true riches of love are revealed. Or so it says here.
The film features Rupert Everett as Wilde and Emily Watson as Constance, along with Colin Firth, Colin Morgan, and Edwin Thomas.
In the East Village of New York City there is a bar called Dorian Gray and this week I made my inaugural visit. It styles itself as Simple, Cheery, and Charming—which it is, and that will have to suffice as a review as I was only there long enough for one beer. And therein lies a tale.
New Book : Beautiful and Impossible Things: Selected Essays of Oscar Wilde
Notting Hill Editions, UK (2015) | New York Review Books, US (2017)
“…and over our heads will float the Blue Bird singing of beautiful and impossible things, of things that are lovely and that never happen, of things that are not and that should be.”
So said Oscar Wilde in The Decay of Lying, one of the works included in Beautiful and Impossible Things, a new collection of essays plus the odd letter and lecture by Wilde, due for its U.S. release later this year.
Gyles Brandreth, the English writer, broadcaster, actor, and former Member of Parliament, has provided a solid Introduction to the book. Mr. Brandreth continues to bolster Wilde’s popularity in the U.K. and beyond, by efforts such as this, his being Honorary President of the Oscar Wilde Society in London, and not least by his successful Oscar Wilde Murder Mysteries series of novels.
Oscar Wilde’s The Importance of Being Earnest at the Walnut Street Theatre, Philadelphia
With its marble columns and lobby posters of productions past, the Walnut Street Theatre is a venerable venue; and what other theatre can claim that Jefferson and Lafayette attending its opening night performance? 
Moreover, within the Walnut’s neo-classic Federal shell there is often the kernel of fine scenic design, tasteful costumes, and knowledgeable subscribers. One wonders, then, why a sledgehammer is usually employed to crack it?
Such had been the case on my recent visits to witness the repertory’s assaults on Agatha Christie and Noel Coward. So it was more with a sense of duty and dread, than enthusiasm, that my band of Philadelphia Wildeans revisited the scene of those crimes to see The Importance of Being Earnest. Wouldthe Wilde play be similarly executed?
Mark Samuels Lasner has long been recognized as an authority on the literature and art of the late Victorian era. He is also a collector, bibliographer, typographer, and Senior Research Fellow at the University of Delaware Library.
To those offices he can now add the honorific of benefactor.
For recently Mark donated his private library, the extensive Mark Samuels Lasner Collection, to the University of Delaware. It has been housed since 2004 in the Morris Library, and now becomes largest and most important gift of its kind in the university’s history.
Declaring nothing apropos (except astonishment) I send from America footage I recently discovered of Oscar Wilde’s son Vyvyan Holland.
It is in the form of a TV interview alongside Brian Reade, curator at the Victoria and Albert Museum, during a segment on the CBS TV arts program Camera Three about a V&A Aubrey Beardsley exhibition which had transferred to New York’s (then-named) Gallery of Modern Art.
The rare TV showing was a opportunity for Vyvyan to rival his more media savvy wife, Dorothy, who had made her latest appearance on American TV earlier in the month discussing fashion on the ABC show Girl Talk.
It provides a chance to see Vyvyan’s unassuming manner as he reveals personal experiences such as shooting moose and witnessing a bedridden bearded Beardsley.