When it comes to measuring time, sixty is an oddly benign number. It records the seconds into minutes and the minutes into hours indistinguishably. But when the number is used to mark the passage of years—three score can give one quite a jolt. So when the occasion crept up on me last week, I was need of rejuvenation.
An outing to the theatre would be the tonic I thought. But with the next Wilde play not until later in the month, I would need to find another balm for my (now) furrowed brow.
What then if not Oscar? Perhaps something pre-Oscar…
Continue reading RBS
Literary Metaphor at the Oscar Wilde Festival in Galway.
Focused though I am on Oscar Wilde In America, I like to keep an eye on the bigger picture. However, I know that to see the brushstrokes up close it is sometimes necessary to depart from topical and geographical constraints and visit the works themselves.
So last weekend I attended the Oscar Wilde Festival in Galway, Ireland, where I discovered part of the canvas rendered in two books with contrasting techniques.
Continue reading Useful Editions
To accompany the world premiere of the Morrison/Cox opera Oscar in Santa Fe, NM, this adapted excerpt from my book Oscar Wilde On Dress appeared in the Santa Fe New Mexican’s arts magazine Pasatiempo.
For more on Wilde and dress see:
Review of the conference: Who Owns The Legacy of Oscar Wilde?
Wilde Conference at Drew University, June 1-2, 2012
by John Cooper
So it was to Drew University (Madison, NJ) hopeful of enlightenment as to the nominal question posed by the conference.
To the question of who owns the legacy of an author in the public domain the answer is usually nobody. However, this conference was a reminder, should it be needed, that in the sphere of Wilde studies nobody often translates into anybody willing to marry the subject, for better or worse, to their own vision of Wilde. This is not surprising given Wilde’s dualities of nationality, gender and style, and over the years writers have enjoyed an open season and taken careful aim at their subject, giving us some quite specific visions of Oscar.
At least in a forum such as the subject becomes a moving target. So we had varied questions, not only of the Irish Wilde and the gay Wilde, as might be expected, but also an array of topics ranging from thesis to the practical; subjects from Wilde’s reputation as a classicist to the ownership of his work and imagery.
Continue reading Conference: Legacy of Oscar Wilde