Here we see an illustration and a photograph of Oscar Wilde in the same pose.
In a recent post I drew attention to the photograph (which is from the collections of the Harry Ransom Center, The University of Texas at Austin), as it has recently taken its place among the list of known Sarony photographs of Oscar Wilde.
The reason for the photograph’s belated addition to the canon is that it does not appear to have been previously published, nor was there any digital example online—so it is true to say that it had never been widely, if at all, circulated.
And yet, its existence should not come as a complete surprise to Wilde scholars. To understand why, we must consider the part played by the corresponding illustration.
Continue reading False Bottom
Oscar Wilde’s After-Dinner Rebuke to his Press Critics
Originally published in 2015 now as rewritten for the Oscar Wilde Society newsletter. For membership go to: oscarwildesociety.co.uk/membership/
It is pleasing to see that recent Wilde studies continue to highlight the emergent nature of Oscar’s American experience, during which time he nurtured the art of public speaking, conducted his first press interviews, staged his first play, had his iconic photographs taken, and stockpiled—to use an American word—material for his future epigrams and works.
But there is a crucial American beginning for Oscar that has been under-appreciated: I refer to his first brush with literary society. It occurred during an event at 149 Fifth Avenue in New York City, the then home of an organisation of journalists known as the Lotos Club.
Continue reading I Can Wait (Revisited)
Eating oysters in Connecticut is a big thing; and when in Hartford, CT, there was only one place to go: Honiss’ Oyster House. In 1981 the New York Times ran an article about the famous old place, now long since gone:
It isn’t every restaurant in Connecticut that can claim – as the Honiss Oyster House Company does – to have served Mark Twain, Babe Ruth, Andre Previn and Steve Martin, or to have the very booth where Buffalo Bill Cody ate regularly when he was in town with his Wild West Show.
Honiss’s dimly-lit basement walls are crammed with photographs of customers past. There are more than a thousand pictures in all, dating to the 1880’s, when Thomas Honiss and Fred Atchinson purchased the then-40-year-old restaurant downstairs in the United States Hotel.
What the newspaper did not mention, and possibly because the restaurant also failed to realize it, is that Oscar Wilde also partook of Honiss’ famous oysters while residing at the United States Hotel in 1882.
Continue reading Oscar’s Oyster Supper
The Sarony Photographs
It has long been assumed that all of the 1882 photographs of Oscar Wilde by Napoleon Sarony were taken during the same visit to his studio. Indeed, in all of Wilde studies there does not appear to be any record of an assertion to the contrary.
However, there is a convincing case to be made that the LAST FOUR photographs were taken at a later date.
Continue reading The Last Four
Oscar Wilde’s Reception in Kansas and the Sunflower Soirée.
I recently gave a talk on the subject of Oscar Wilde and the sunflower to the good people of the Maryland Agriculture Resource Council at their Sunflower Soirée, a yearly festival devoted to the Helianthus annuus. Literally, an annual event.
Between you and me, it was a wonderful occasion; but as there was a gloomy weather forecast I choose to focus on the portent to a poignant moment.
Continue reading The State of the Sunflowers
SAY IT AIN’T SO, ST. JOE.
What a shame. The venue where Oscar Wilde lectured in St. Joseph, Missouri in April 1882, was destroyed by fire on Monday this week.
No longer a theater, it may have been just another empty converted office building symbolic of a Midwest hollowed out by recession, but it was still there. Unlike so many of the Wilde’s lecture venues which were lost to fire in gaslit days, surely, one thought, this building had survived that fate.
But no, and here’s what makes the loss a little more personal.
Just a day earlier I had been discussing which city from Wilde’s lecture tour that I would most like to visit. No kidding. I said St Joseph, Missouri. One reason was that both Wilde’s hotel and lecture theater were extant, and very few cities that can boast that—although there is one fewer now.
Continue reading Wilde Fire
You will recall that in my recent review of Wilde and Niagara I cited the entry that Oscar Wilde’s had made in the guestbook of his hotel on the Canadian side at Niagara Falls.
Well, having visited the area myself, I now have an illustration of his inscription (above) and, to reiterate, this is what it says:
the roar of these waters is like the roar when the “mighty wave democracy breaks against the shores where kings lie couched at ease.”
When Oscar wrote this he was doing several things at once.
Continue reading A Moment of Gravity
“A PRIDE I CANNOT PROPERLY ACKNOWLEDGE”
On St. Patrick’s Day 1882, during his lecture tour of north America, Oscar Wilde happened to be in St. Paul, Minnesota.
He had lectured the previous evening at the Opera House on The Decorative Arts, and, on the following evening, he returned to the same venue to attended a St.Patrick’s Day gathering. St. Paul was a city with a large Irish population and the event was one of several held that day to observe the occasion.
Despite inclement weather, the Opera House was full for a series of addresses on an Irish theme interspersed with vocal and instrumental selections. Towards the end of proceedings, Wilde was called upon to say a few impromptu words.
Continue reading St. Patrick’s Day 1882
Original Oscar Wilde-Related Guided Walking Tours In New York City.
You may be interested to know, or to be reminded, that I still conduct my guided walking tour which you can see showcased at its new web site Oscar Wilde In New York.
The tour, which visits various Wildean haunts including houses where he lived, and clubs that he visited, has been conducted intermittently since 2002.
The next tour will given for the The Municipal Art Society of New York—details of which can be found here.
A cartoon printed in the satirical magazine The Wasp to mark Oscar Wilde’s arrival in San Francisco.
When Wilde arrived in San Francisco he was greeted by thousands of people curious to see him.
This cartoon, entitled “The Modern Messiah,” which appeared in The Wasp on the eve of Oscar Wilde’s third lecture in San Francisco , shows such a crowd, but in satirical style.
Heavily featured are sunflowers, one of the floral emblems of the aesthetic movement; another, calla lilies, known to decorate Wilde’s table at dinners in America, serve as the donkey’s ears. Also depicted in the scene are caricatured personalties resonant of Wilde’s visit, some of whom were thought responsible for bringing Wilde to San Francisco, and therefore supportive of him.
Continue reading The Modern Messiah