Purple Prose

New Book : Beautiful and Impossible Things: Selected Essays of Oscar Wilde 

Notting Hill Editions, UK (2015) | New York Review Books, US (2017)


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“…and over our heads will float the Blue Bird singing of beautiful and impossible things, of things that are lovely and that never happen, of things that are not and that should be.”

So said Oscar Wilde in The Decay of Lying, one of the works included in Beautiful and Impossible Things, a new collection of essays plus the odd letter and lecture by Wilde, due for its U.S. release later this year.

Gyles Brandreth, the English writer, broadcaster, actor, and former Member of Parliament, has provided a solid Introduction to the book. Mr. Brandreth continues to bolster Wilde’s popularity in the U.K. and beyond, by efforts such as this, his being Honorary President of the Oscar Wilde Society in London, and not least by his successful Oscar Wilde Murder Mysteries series of novels.

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Book Mark

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Materials from the Mark Samuels Lasner Collection. Photo: University of Delaware Library.

Exhibition and Symposium

Mark Samuels Lasner has long been recognized as an authority on the literature and art of the late Victorian era. He is also a collector, bibliographer, typographer, and Senior Research Fellow at the University of Delaware Library.

To those offices he can now add the honorific of benefactor.

For recently Mark donated his private library, the extensive Mark Samuels Lasner Collection, to the University of Delaware. It has been housed since 2004 in the Morris Library, and now becomes largest and most important gift of its kind in the university’s history.

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Finding Oscar

'Oscar Wilde`s Homeland' by Lysenko Igor

John Cooper expands on comments he made as a member of a panel discussion at the Oscar Wilde Festival in Galway, Ireland, in 2014, in which he appraised Wilde’s legacy and his personal response to it.

(I) RISE AND FALL

Finding Oscar Wilde during his lecture tour of America in 1882 presented few difficulties. Throughout the year he made hundreds of appearances in public and thousands in the press. But his transatlantic sojourn was not merely prolific, it was a surprisingly formative time that saw Wildean firsts in all aspects of his career. Professionally, he nurtured the art of public speaking, began lecturing, and conducted his first press interviews. In his personal life he entered a new sphere of poets, writers, and statesmen; and he embarked upon a lifelong pattern of occasionally earning, but of always spending, large sums of money. Creatively, he became increasingly familiar with formulating his thought into thesis, while socially he was gathering material and honing epigrams for use in his early essays, short stories, and dramatic dialogues. Perhaps most surprisingly, it was in America that he staged the first ever production of a Wilde play.1 And lastingly, it was in New York City that the predominant image we have of him was formed with a series of photographs taken by Napoleon Sarony. After America, one might say, Oscar had become famous for more than just being famous.

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Not surprisingly, given this degree of exposure and experience, contemporary opinion was that America had made a greater impression on Wilde than vice-versa. Supporting this view is the fact that his audiences, although they had attended his lectures, came to see rather than to hear him; and even though he was often personally liked, he was more often publicly ridiculed. Wilde’s maligned persona was so widespread that the ability to locate him in the abstract sense, even for those who had not seen him, also presented few difficulties. In sum: the breadth of his presence made Wilde familiar in person, and the stereotype of his character provided the measure of him as a personality.

We now see that Wilde cannot be so easily pigeon-holed.

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Useful Editions

bow-streetLiterary Metaphor at the Oscar Wilde Festival in Galway.

Focused though I am on Oscar Wilde In America, I like to keep an eye on the bigger picture. However, I know that to see the brushstrokes up close it is sometimes necessary to depart from topical and geographical constraints and visit the works themselves.

So last weekend I attended the Oscar Wilde Festival in Galway, Ireland, where I discovered part of the canvas rendered in two books with contrasting techniques.

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