“Oscar” the Opera | The Art Of Darkness

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Oscar, the opera in Philadelphia

The last time Oscar Wilde visited Philadelphia it was to promote an opera. That was during a lecture tour of America in 1882 when a required part of his raison d’être was to be the poster-boy for Gilbert & Sullivan’s latest offering Patience—a comic opera whose purpose was to ridicule the adherents of the Aesthetic Movement. Not that it mattered to Oscar Wilde that he was the movement’s leading representative and the person most closely identified with the ridicule. He always knew he would outlive the mob mentality, and it is an ironic measure of the wisdom of Wilde’s indifference that he has triumphantly returned to Philadelphia as the subject of an opera himself. The question now is: if Oscar the man was indifferent to Patience, would he have had any patience for Oscar the opera?

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The Portrait of Mr WHYY

rt_header3Following my appearance on the truncated piece about Wilde on WHYY TV’s Articulate with Jim Cotter (they decided against the planned full show on Oscar, but that’s television), I appeared today on Radio Times with Marty Moss-Coane, WHYY’s flagship radio interview program that examines local & national news, current trends, and ideas.

I was a guest along with famed countertenor DAVID DANIELS, who plays the Oscar Wilde in the opera Oscar, and the composer  THEO MORRISON, to talk about Wilde and his imprisonment, which is the main theme of the opera.

You can listen to the show here

Not related:
Oscar Wilde’s story: The Portrait of Mr. W. H.