In my last article I alluded to how that erstwhile sinner, Oscar Wilde, had achieved the exalted air of sainthood. Unfortunately, for collectors of Wildean memories, with that classification comes the saintly cliché that a good man is hard to find.
And nowhere is that maxim manifested more in Oscar Wilde’s case than in the promised land of lost pictures. On the artifact scale of hardness-to-find, the rarest commodities are gold dust, hen’s teeth, and, hardest of all, previously unseen photographs of Oscar Wilde.
At least that was the case until earlier this year when this late in Wilde’s long posthumous existence (what the Native American appropriately dubbed the happy hunting ground), unearthed a little-known, and even less seen, image of Oscar. That photo has now ascended to the canonical next life as Sarony 3A. For Wildeans, this one discovery would normally be rapture enough. However, now another rare photograph has appeared from the digital clouds.
In verifying Oscar Wilde’s 1882 lecture tour of North America, it was prudent to begin with the four published itineraries by Mikhail, Ellmann, Page, and Beckson. 
Unfortunately, none of these chronologies agrees with any other, and each is either incomplete or wrong in various respects—so it has been necessary to make numerous additions and corrections to dates, locations and lecture titles. 
It is a pleasing break to the routine when one discovers something new, such as a previously unrecorded event. Or, rarer still, a previously unknown lecture, as was the case with the redefining of Wilde’s final stop of the tour in New York on November 27, 1882.
Now another new lecture has emerged: it is an appearance by Wilde at Narragansett Pier. Where is Narragansett Pier?—you might ask.
It has long been assumed that all of the 1882 photographs of Oscar Wilde by Napoleon Sarony were taken during the same visit to his studio. Indeed, in all of Wilde studies there does not appear to be any record of an assertion to the contrary. However, there is a convincing case to be made that the LAST FOUR photographs were taken at a later date.