Textual Analysis for Students
A verse parody appeared just three weeks after Oscar Wilde arrived in America. It was one many such newspaper items in 1882 that poked fun at Wilde and the aesthetic movement.
It was notable for its affected and satirical overuse of alliteration. Although Wilde was known for his occasional penchant for this verbal prose style (something that Whistler later parodied), it was probably not recognized by the author of this verse when it was written in January 1882.
It is more likely that its use was prompted by expressions such as “too-too” and “utterly utter” that were connected to the also alliterative Apostle of the Aesthetes.
As such, the text is instructional in understanding allusions to Wilde and the aesthetic movement. Let us examine the terminology:
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Oscar, the opera in Philadelphia
The last time Oscar Wilde visited Philadelphia it was to promote an opera. That was during a lecture tour of America in 1882 when a required part of his raison d’être was to be the poster-boy for Gilbert & Sullivan’s latest offering Patience—a comic opera whose purpose was to ridicule the adherents of the Aesthetic Movement. Not that it mattered to Oscar Wilde that he was the movement’s leading representative and the person most closely identified with the ridicule. He always knew he would outlive the mob mentality, and it is an ironic measure of the wisdom of Wilde’s indifference that he has triumphantly returned to Philadelphia as the subject of an opera himself. The question now is: if Oscar the man was indifferent to Patience, would he have had any patience for Oscar the opera?
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