The Story of Oscar Wilde’s Infamous Curtain Call
Take a close look at the details of the above cartoon.
It is one of the Fancy Portrait series from the long established satirical journal Punch and it appeared in response to the opening night of Wilde’s play Lady Windermere’s Fan at the St. James’s Theatre on February 19, 1892.
It was an event worth memorializing, not least for the occasion of Oscar’s famous curtain call, two aspects of which have become the stuff of legend.
First, that Wilde took to the stage still smoking a cigarette—which some thought disrespectful. Second, that he gave an amusing speech of playful immodesty—which others thought condescending. Or, at least they did in those stuffy Victorian days. One irate newspaper correspondent referring to Wilde’s “vulgar impertinence”.  These were, of course, the Victorians who could neither grasp irony nor face the change in attitudes that Wilde anticipated.
Conversely, others saw no ill-manners in Wilde’s appearance. Indeed, the audience on the night was thoroughly amused, and one report found his demeanor “very touching”. 
Whichever view one took, everyone agreed on one thing: that Wilde was different. And being different is a sure way in any era of achieving the second worst thing the world: i.e. being talked about. So the story of Wilde’s curtain call was seized upon by the press at the time and has been well-documented by authors over the years.
But it all begins with this cartoon. In it Wilde’s curtain call is immediately recognizable: the smoking, the speech, and Lady Windermere’s fan.
So as we have had journalism and biography, let us now revisit the circumstances through the prism of caricature.
Continue reading Anatomy of a Cartoon
I live in terror of not being misunderstood
If Oscar Wilde really did live in terror of not being misunderstood—as he wrote in The Critic as Artist in 1891, he need not have worried. At least not so far as his plays are concerned, because there are parts of the texts now so arcane that they are almost bound to be misunderstood—if they are understood at all.
Take Wilde’s most famous play The Importance of Being Earnest.
As many appreciate, Earnest still resonates today in everything from the fact that sugar is no longer fashionable to the facade of human shallowness.
But we should not allow the play’s continuing relevance to distract us from its many dated, regional or topical allusions, many of which had an esoteric meaning when Wilde wrote them, but which are now elusive—especially for young or non-British audiences.
Continue reading Time: The Present
When it comes to measuring time, sixty is an oddly benign number. It records the seconds into minutes and the minutes into hours indistinguishably. But when the number is used to mark the passage of years—three score can give one quite a jolt. So when the occasion crept up on me last week, I was need of rejuvenation.
An outing to the theatre would be the tonic I thought. But with the next Wilde play not until later in the month, I would need to find another balm for my (now) furrowed brow.
What then if not Oscar? Perhaps something pre-Oscar…
Continue reading RBS