Sarony 3A

New Sarony Photograph Identified

A rarely seen image of Oscar Wilde has recently been added to the series of photographs taken by Napoleon Sarony on January 5th, 1882.

Its rarity is evidenced by the fact that it does not appear to have been been published in any publicly available print medium to date, nor anywhere else previously online.

However, a proof print of it has lain dormant in the extensive Wilde holdings of the Harry Ransom Center, The University of Texas at Austin—in the James McNeill Whistler collection to be precise—and their copy might be the only extant print.

To see how this photograph re-emerged and how it affects the total count of known Sarony images of Oscar Wilde, let’s start the ball rolling.

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Cello Encore


MORE OF THE MYSTERY SOLVED

—Corroborating Research

In a recent article I established the literary source for the cello coat worn by Oscar Wilde at the Grosvenor Gallery. However, I left it open to interpretation whether Wilde actually did have such a coat tailored or, perhaps, just happened to have one like it. After all, there was only one report of the “cello” shape.

However, we can now be definitive.

Further research allows us to make the coat story complete—although, as we shall see, the archaic variant word compleat would make for a better fit.

Continue reading Cello Encore