Wilde’s Prison Interview?


Wilde’s Prison Interview?

by John Cooper 
With the kind assistance and guidance
of Rob Marland and Matthew Sturgis. *


The artist Banksy has recently demonstrated that deliverance from Reading Gaol remains a popular concept. But, as you might imagine, Oscar Wilde’s real life liberation from the prison was an even more newsworthy event back in 1897.

Oscar himself attested to the potential for a public invasion of his privacy. This is what he wrote to his dear friend, Reggie Turner, just prior to his release:

Already the American interviewer and the English journalist have arrived in Reading: the Governor of the Prison has just shown me a letter from an American interviewer stating that he will be here with a carriage on Wednesday morning for me, and offering any sum I like if I will breakfast with him! Is it not appalling?

(Complete Letters, 829).

The archive photograph of Reading Gaol (above) curiously portends such a carriage handover. But, of course, no interview took place outside Reading prison—appalling breakfast or otherwise—nor could it, because Wilde was not discharged from the prison system at Reading. He was spirited 43.8 miles away to be released from Pentonville Prison in London, his first place of incarceration.

This subterfuge, and others along the way, protected Wilde’s seclusion well enough, and so history has chronicled Wilde’s removal from Reading free from the Fourth Estate.

But now it is time to reconsider the event—particularly for those who might underestimate the doggedness of the Victorian press. Could it really be possible that, in fact, there exists a hitherto forgotten prison interview?

As remarkable as this sounds, it appears that a media dialogue of sorts could have taken place with Wilde at Reading Gaol.

Continue reading Wilde’s Prison Interview?

Making (Up) Oscar Wilde

MAKING OSCAR WILDE by Michèle Mendelssohn
Oxford University Press (2018)

REVIEWED BY: John Cooper


One of the most noteworthy contributions to the recent surge in Wildean material has been Michèle Mendelssohn’s treatise Making Oscar Wilde (2018).

As the title suggests, it is an attempt to establish a premise for the shaping of Wilde’s persona—the latest in a history of such perspectives which has included disquisitions via his Irish roots, his American experience, his men, his women, his friends, his enemies, his wit, his letters, his published works, his unpublished works, his recorded life, his unrecorded life, and, for good measure, his afterlife.

Now Making Oscar Wilde takes a potentially useful and probably unique view through the prism of Wilde’s racial profile. On surface reading the work has much to commend it—but to discover whether it works as a construction we will have to disassemble it.

Continue reading Making (Up) Oscar Wilde