Salomé

In a recent post I railed somewhat about the use of primary sources.

Well sources don’t come any more primary than the recent discoveries of Wildeana that were made at the Free Library of Philadelphia prior to the Oscar Wilde season early this year.

Some time ago the library released the new manuscript fragments of Canto III of The Ballad of Reading Gaol by Wilde with his comments; and the 140 page Wilde manuscript notebook of many draft poems and sketches.

Now it’s the turn of the only known typescript of Wilde’s French play Salomé which had just been uploaded.

The typescript contains many of Wilde’s handwritten emendations including his groundbreaking notation “elle danse la danse des sept voiles.” (She dances the dance of the seven veils.)

seven veils

This discovery identifies for the first time not only the moment at which Wilde developed Salomé’s dance into one with seven veils, but, potentially, it is also the historical origin of such a dance. If great minds are not already at work on this conjunction they will be when I get around to it.


Picture details:

800px-Gustave_Moreau_Salomé_1876Gustave Moreau’s 1876 Salomé dansant devant Hérode (Salome dancing before Herod) descriptions of which in Joris-Karl Huysmans’s À rebours (Against Nature) had stimulated Wilde’s interest in the subject.


Related:

Watch as Wilde’s grandson Merlin Holland discusses the story of Salomé:

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John Cooper

John Cooper is a independent scholar who has spent 30 years in the study of Oscar Wilde. He is a long-standing member of the Oscar Wilde Society, a founding member of the Oscar Wilde Society of America, and a former manager of the Victorian Society In America. For the last 20 years Cooper has specialised in Wilde’s 1882 lecture tour becoming a consultant on Wilde’s American experience to biographers and the wider media. Cooper lectures on Wilde and has conducted new and unique research into Oscar Wilde visits to New York culminating in a guided walking tour. Online he is a popular blogger and the creator of the noncommercial archive 'Oscar Wilde in America’ which incorporates his work on the Sarony photographs, and a detailed documentary verification of Wilde’s American lecture tour. In 2012 Cooper rediscovered Wilde's essay The Philosophy Of Dress that forms the centerpiece to his book Oscar Wilde On Dress (2013).

5 thoughts on “Salomé”

  1. Dear John, amazing world we live in, where I can turn on the computer and watch OW’s grandson (mutely, as it is early in the day to actually listen to a video. Later. I’ll look forward to it.)

    What is an “Oscar Wilde season”? Your walking tours? No, winter’s a-coming in. Theatre season? Hopefully it’s not similar to a stag-hunting season – poor Oscar has been over-hunted already, eh?

    I’m looking again at “The Queen’s Agent,” a bio of Francis Walsingham by John Cooper who – another multi-leveled coincidence, palely echoing your multi-faceted ones – also “co-edited the catalog of the “Henry VIII: Dressed to Kill exhibition at the Tower of London.” It is really an excellent book.

    Thanks again for the Holland video. Perhaps I will turn him on (the sound, I mean) tonight.

    Peter
    U. S. ‘n Aye

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  2. THIS FROM JOSEPH DONOHUE

    Dear John Cooper and other persons on the list,

    It is a pleasure to see acknowledged once again the presence of Oscar Wilde’s typescript of Salomé among the holdings of the Free Library of Philadelphia. I feel fortunate in having been able to have a look at it there last winter and then to have obtained an early copy of it, while the splendid exhibit that included it was still on at the Rosenbach Museum & Library a short distance away. This access enabled me in a timely way to write up my discoveries relating to it for publication in the Times Literary Supplement last month.

    If you are interested in seeing what I discovered about it, you’ll find it as “Wilde in France,” TLS, September 11, 2015, 14-15.

    I would be pleased to hear from anyone who has further information about it or a response to my argument identifying the place of the typescript in Wilde’s working life.

    Best regards to all,

    Joseph Donohue

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  3. Hi, John, thanks for the video of Mr. Holland – I never expected to see a relative of OW talking. Quite delightful he seems, too. I found you had also sent a recent copy of “Importance” with clever staging but strangely slow delivery, so I could watch only a smidgen. Have work to do anyway. Thanks. I’ll keep the Holland docu on-tap for now. Hope all goes well. I heard from Geoff today. Peter G

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