New Book : Beautiful and Impossible Things: Selected Essays of Oscar Wilde
Notting Hill Editions, UK (2015) | New York Review Books, US (2017)
“…and over our heads will float the Blue Bird singing of beautiful and impossible things, of things that are lovely and that never happen, of things that are not and that should be.”
So said Oscar Wilde in The Decay of Lying, one of the works included in Beautiful and Impossible Things, a new collection of essays plus the odd letter and lecture by Wilde, due for its U.S. release later this year.
Gyles Brandreth, the English writer, broadcaster, actor, and former Member of Parliament, has provided a solid Introduction to the book. Mr. Brandreth continues to bolster Wilde’s popularity in the U.K. and beyond, by efforts such as this, his being Honorary President of the Oscar Wilde Society in London, and not least by his successful Oscar Wilde Murder Mysteries series of novels.
The reappraisal of Wilde as a thinker and moralist (a conclusion reached in my piece Finding Oscar) has been alive in Wilde scholarship for some time. The arrival of this volume now recognizes the popular appeal of this idea by providing a primer for those whose knowledge of Wilde is perhaps limited to his epigrams and major works.
As such, this is not a book prepared by or for academia, something most would welcome while still desiring a degree of scholarship. And in this respect there are notes, but not many. Indeed, the publishers appear to sense this lack by offering the explanation that notes are sparse so as to “avoid interrupting the flow of Wilde’s prose”.
They need not have been so self-conscious. The book is a reader not a reference.
And, as a reader, it is a well-chosen selection that showcases Wilde’s eclecticism, from pithy one-liners to prison life; from domestic decoration, life and literature, to stagecraft and socialism; from the arts and America to Lyceum and Mahaffy, London and Models. If you have never read Wilde on these topics I heartily recommended you start with this book.
Porphyria  paraphrasing
But make sure you get the hardback. It a wonderful thing as an object.
First, it is an elegant linen-bound production (something I know a little about) that gives it a handsome feel in the hand, but then fits neatly into a pocket like something one should never travel without on the train. Moreover, it is purple—one of Wilde’s statement colors—which as a cover for Wilde’s sparkling prose renders it heliotrope with diamonds—or, mischievously, the Mrs Cheveley of books. 
In sum, and to strain this purple prose to post-Dorian proportions I should say: it is book that should always be with us when there are no flowers to look at and we want something to stir the intelligence.
Besides, leaving aside the beautiful and impossible things, who could not love a book that has red page numbers?
 Greek: “purple-clad”.
 Wilde’s stage direction: [Enter Mrs. Cheveley] She is in heliotrope, with diamonds…and makes great demands on one’s curiosity… A work of art, on the whole, but showing the influence of too many schools. (An Ideal Husband).